Art in the Home

That final layer in a home is so important, and can also be the hardest for us when we’re designing for our clients. The reason being it’s this last layer that puts your individual stamp on a home. It’s so personal, it should reflect you and tell everyone who comes into your home a little bit about you. When you look around and you’re surrounded by things you love, some of which may have memories or meanings attached, this is what makes your space so enjoyable and special for you to be in.

“Disco Shoes’ by Brian Culy | photo: Florence Charvin

Out of all the elements, art is by far the most challenging for us because it’s so subjective, but for that reason it’s one of the most special and impactful elements. We can recommend to our clients to keep the colour palette relevant to the rest of the room, and help get the scale right and the frame, but the art itself needs to ‘speak’ to its owner (note: scale is everything! You are going to want to go bigger than you think).

Commisioned artwork by Robyn Fleet | photo: Florence Charvin

For anyone that is interested in starting their art journey we asked local art gallery owners, Richard and Elisa Boyd-Dunlop of Boyd-Dunlop Gallery, for their expert advice on all things art…


What should you look for in a piece of art?

BOYD-DUNLOP: Find that piece of artwork that sings to you. You may feel powerful emotions and a strong attraction to it, something that has the x-factor. Art is subjective so each person will have a uniquely different view or experience with different artworks. Art can be a great way to celebrate key moments in your life or remind you of a person or place of significance. It’s a great way to spend time with others you live with, or friends, or an art group, and of course provide a stimulus to conversation when people visit your home.

Does art always increase in value?

BOYD-DUNLOP: You shouldn't see art as a commodity but as a pleasure. The money invested in art is an investment in your pleasure. Everyday you walk past a piece of artwork it speaks to you on a higher level which can't be quantified in monetary terms.

Of course some artworks do increase in value sometimes in a short space of time, we have watched it happen over the years. If you are wanting to buy art as an investment there is investment grade art, which is characterised by artists who have a strong collector base, recognised names and a track record of achieving high, if not record breaking auction sales.

How do you spot a breakthrough artist or next big thing?

BOYD-DUNLOP: There is no sure way to spot the next art star, however due diligence and time spent gathering information from as many sources as possible will help with this. Take time to visit dealer galleries and form a relationship with the dealers who can guide you. Visit art fairs, art school shows and a range of dealer galleries. Also read art magazines and publications, both hardcopy and digitally, such as Art NZ, Art News, Artnet, Art Collector, and The Art Paper. Following art competitions is great way to spot emerging talent, as artists need to be motivated to crack the big time with a capacity to continue to produce great work.

Are art prints good investments?

BOYD-DUNLOP: Art prints such as screenprints and limited editions can be a good investment when they are from recognized artists and can be very collectable. The print market has proven to be solid in auction as we have seen some artists achieving much higher values than those spent originally purchased for in the galleries. It is good to do your research here to see if any of these editions are making it to auction and what kind of prices they are getting. When buying print editions consideration should be taken on how large the edition is and what the print medium is, also whether the art print is signed or authenticated by the artist. A screenprint is still a handmade artwork requiring layering of pigment whilst a digital prints are reproduced using a printer. Traditionally screenprints were seen to be more valuable however in recent times the digital archival qualities have brought forward digital print values.

What do edition numbers mean (eg 1/30 or A/P, OE)?

BOYD-DUNLOP: Edition numbers - for example, 1 of 30 mean there are only 30 of that image printed and the 1 denoted that this is the first of the 30.

Usually screenprints, and sometimes digital prints, have an artist proof. These are marked as A/P, this is usually the first print from which the artist ascertains that they are happy with the artwork. Sometimes there is more than one A/P print available and also these can have irregularities if changes have been made before the final print run is made. Sometimes the A/Ps are considered more valuable than the edition as they are seen as more rare.

OE stands for open edition, in these cases there is no set number or print editions however often these prints can still be limited as the artist constraints may mean only so many ever get printed.

Limited edition prints by surrealist Jeremy McCormick available exclusively through Boyd-Dunlop Gallery

If a painting is reproduced in print form does it decrease its value?

BOYD-DUNLOP: If a painting has been reproduced in print this does not necessarily decrease the value of the artwork, usually the print functions to make the artwork more known to the public therefore increasing the value of the artwork. An artist owns the rights to an image he or she is painted, not the owner of the image unless they have bought copyright of the image. It has become more common to reproduce painted images in the print Edition now that digital quality has become archival. This also helps the artist with an additional income stream and in support of the artists we believe this is a good idea.

What is the ideal amount of art needed in a home and are there rules about spacing artworks?

BOYD-DUNLOP: Art is an important part of the home as it sets the mood and personality of the owners. There are no real rules around spacing in your home although it is good to give each piece its own space, and also have the centre of the painting at eye level so as to relax while viewing the painting. As your collection grows this could be harder to achieve but is also part of the fun of an art collection.

Make sure you put thought into the placement of artworks, for example, if you have photographic prints make sure they're not in direct sunlight. Oil paintings are more durable and can withstand more sunlight than artist prints. If you have a minimalistic home one or two large pieces could be all the personality you need for your house.

How do you start an art collection?

BOYD-DUNLOP: If you are looking at starting an art collection you can begin as small as you want. Art collecting is a fun activity almost like a sport. It can be done alone, or with a partner, or a group of like minded friends or colleagues. You and your partner can share research, visit the galleries and see what you like. This is the most important thing - there's no point in having something on your wall that you do not like.

Visit student shows, group exhibitions, local exhibitions and see what galleries are doing online, and ask around to read magazines. There are no rules about collecting. Some collectors approach their collections differently wanting to get certain artists in their collection. You do not need a large budget to start an art collection. Start off small and once you learn more you can then start to make more daring purchases. Keep your collection diverse, keep your collecting fun, like any other collection it should be enjoyable.

How do you start an art group?

BOYD-DUNLOP: Starting an art group is something to do with people that enjoy getting together and discussing art, talking about their purchases, and also should be an enjoyable venture. Keep it simple and set out ground rules early on as you don't want to get caught up in any controversy over works that might start to increase in value. Set up a budget and also do your research, don't just jump into the first thing you see. You may decide that you each get a turn to purchase, or that one member brings a selection of three choices to the group and then a vote is taken. Works can be rotated amongst the members' homes. This is a great way to pool knowledge and resources across more people. However the more minds involved in the purchase the harder it can be to decide.

Do you have payment options at Boyd-Dunlop Gallery?

BOYD-DUNLOP: Absolutely, we have quite a few clients who like to use My Art to purchase. It is a really easy and nice way for people to finance art purchases interest free. Quite a few people like to use it to allocate their monthly art budget, and the great thing is you get the artwork right away. 

We also offer layby and payment plans in the gallery regularly, however people have to wait until it is all paid off before they take the art home. 


Thanks so much to Richard and Elisa, that information is so helpful. If you’d like to visit their Boyd-Dunlop Gallery you can find it at 4 Hastings Street, Napier. You can make an appointment for a personal viewing or simply pop in, they’re open seven days.

If you’re still learning what sort of art really appeals to you, and want to get super inspired, one of my favourite ways is checking out Architectural Digest’s “Open Door" on YouTube. You get to step inside celebrities’ homes and get a personal tour. Celebrities are creative people and these homes are always unique and packed with personality - some will appeal to you, some won’t, but what I love is that each home is a great representation of the owner/s. Their artwork is often very personal and very cool. Some of my personal faves are Lenny Kravitz, Sienna Miller, Sarah Paulson, and Troye Sivan. Go well on your art journey.

Troye Sivan’s home by Flack Studio

Favourite Space | Marilyn Perko

It’s time for another of our ‘Favourite Space’ blog posts. We get to meet so many fabulous and talented people in our job, and when we see an interior that is really special and a true reflection of its owner, we just want to share it with you. Marilyn is a client of ours and was kind enough to allow us to photograph her home and share a bit of her journey with us.

Marilyn in her living room, which for some time during the renovation was her bedroom | photo: Florence Charvin

Before we get to Marilyn’s story though, I wanted to tell you a bit about our relationship with her. The way we worked with her is not our usual process. Normally, with a renovation like hers we are a lot more hands-on, but we quickly learnt how capable Marilyn was with managing her own renovation. A long-term Piha resident, upon arriving in Hawke’s Bay she came to us for advice on colours and fabrics, and we helped her choose, make and install all of her curtains and wooden shutters; we purchased her wallpaper for her bedroom study, bedlinen, and a lot of fabric for countless beautiful cushions and squabs we had custom made. We worked with Marilyn on an hourly rate for design advice and whenever something arose that she needed a second opinion on, she’d pop in to see us. We have the utmost admiration for how she handled her renovation (which we know can be a stressful experience) and for the beautiful home that she has created for herself. Marilyn, you’re a star, and now over to you…

We supplied fabric for curtains, window squab, cushions & furniture | photo: Florence Charvin

About your renovation:

B+B: How long did you live in Piha, and what made you choose Napier to relocate?

I lived in Piha for 21 years, it was my retreat from the world of work. I decided to retire in 2017 and I knew it was time for a move, much as I loved Piha I wanted to be closer to amenities, theatres, galleries. I initially looked at inner city properties but the escalating real estate prices in Auckland put that out of reach and I wasn’t quite ready for apartment life. So I set about looking out of Auckland, my check list was to be near the sea, walking distance to shops, not too far from an airport and room for visiting friends and family. North of Auckland was a contender and no further South than Hawke’s Bay or New Plymouth.

A beautiful side table spied by Marilyn and sourced by Bibby + Brady | photo: Florence Charvin

B+B: Did it take you long to find your Napier home?

I spent some time checking out a number of areas but I was drawn to Hawke’s Bay. I narrowed my search to Napier and, as I hadn’t been there for some time, I flew down one weekend just to look around. Or so I thought - I ended up putting in an offer on a 1920’s bungalow on the hill, and that was the end of my search! I have renovated several times and I knew this property needed serious work but I feel in love with the view, I could hear the sound of the waves, it was close to Napier City and less than 10 minutes to the airport. All my boxes ticked! Something I didn’t expect living so close to the city was the bird life; Tuis, Bellbirds and Kereru.

Marilyn’s living room with views over Napier and out to Cape Kidnappers | photo: Florence Charvin

B+B: What is your favourite space in the house, now that it’s all finished?

It has to be my bedroom area with ensuite, walk in wardrobe, study nook and view of sea and city. I just love the wallpaper, an indulgent Designer Guild feature wall in the study nook, expertly papered by Claire Condon.

We had beautiful wooden shutters installed in Marilyn’s bedroom | photo: Florence Charvin

B+B: What were the highlights and lowlights of your renovation?

The completed renovation took 10 months and with old houses there are always surprises (and there were a few), but I was fortunate to have a wonderful builder, "Wayne Reid Builders", and a band of exceptional tradies. An Auckland friend put me in contact with his friends in Napier who had recently completed renovations and they passed on all their contacts. The difficult part for me was living around the renovation, moving from room to room, no laundry or kitchen, inadequate heating…...I’ve been down this path before but it does get more challenging with age, however I am thrilled with the end result. A big thank you to Dael and Vic who have been there to give advice on colours and furnishings, and for their never ending enthusiasm for my project.

We sourced the Designers Guild wallpaper from our friends at Icon Textiles | photo: Florence Charvin

B+B: Do you have any advice for others undergoing their own renovation?

Take your time to find a builder, someone who sees your vision, and if you require Council consents/plans include your builder at the planning stage if you can. You must be well organised, living on site was an advantage as often quick decisions need to be made, but most importantly keep a detailed account of what you are spending.

Beautiful linen curtains over French doors seperate the inside & outside dining areas | photo: Florence Charvin

Getting to know you better:

B+B: What’s your favourite time of day?

Dusk, the fading light as the sun disappears and the city lights begin to twinkle. A time for quiet contemplation and a glass of wine.

B+B: Who or what inspires you?

I’m inspired by the generosity and kindness of those who give to their communities. The hours and hours of voluntary time caring for the young, our precious environment, the disabled and elderly.

Marilyn’s love of art is evident in her kitchen and dining area | photo: Florence Charvin

B+B: What are you reading/listening to right now?

One of the first things I did when I moved to Napier was to find a book club, at the moment we are reading “The Forest of Wool and Steel” written by Japanese writer Natsu Miyashita. I’ve just finished reading “Drive your Plow over the Bones of the Dead” - hard to pin point the genre but described as ‘a meditation on human compassion and a murder mystery’. With the longer nights I enjoy listening to my Jazz collection.

Marilyn brought these tiles into us for our approval. We love them, of course | photo: Florence Charvin

B+B: Sweet or savoury?

Definitely savoury.

B+B: Favourite drink?

Depending on the occasion - Celebrate with Champagne, Martinborough Pinot Noir and a single malt by the fire.

The dining table is one of our favourites in recycled oak | photo: Florence Charvin

B+B: Favourite thing you own?

My painting by Dean Buchanan is a favourite and I have it in my lounge, I never tire of looking at it. Dean lives in Karekare just over the hill from Piha, the painting is of Cathedral Cave at Mercer Bay. I bought it from Dean’s studio in Karekare and he told me how he would climb down to the cave to get mussels.

The painting by Dean Buchanan is very special to Marilyn and reflects colours found in the living room | photo: Florence Charvin

B+B: Do you have any future plans for your home?

Scaffolding and building clutter took its toll on the garden, so I've been busy outside. I’m looking forward to Spring! I'm also toying with the idea of developing a studio/bedsit under the house.

Accents of black in the dining room add a touch of depth | photo: Florence Charvin

Thank you so much Marilyn for letting us be a part of your renovation story, for allowing us to share your home with our readers, and for the celebratory champagne on the deck ;)

Jen Sievers | Greenhouse Interiors

Before interior design became my life, what seems like a lifetime ago, I was a graphic designer. I was lucky enough to work with a variety of clever and talented people, and one of those people was the beautiful Jen Sievers. We were both working as graphic designers in a small marketing firm, but, as often happens, after the birth of our children we both changed direction slightly - me to interiors and she to fine art.

photo: Sarah Starkey

Jen has been going from strength to strength since she started painting again three years ago, and I have really enjoyed seeing her become so successful doing something she loves. Her latest achievement is so exciting, as she and I have both been huge fans of the two women Jen has recently collaborated with - Julia Green and Armelle Habib.

Julia Green is an incredibly talented stylist and writer and the founder of Greenhouse Interiors, an online destination for boutiques textiles, homewares, and fine art. Julia contacted Jen earlier this year interested in selling her work. Of course this was a no-brainer for Jen, who, like me, was a big fan of Julia's work. "So I painted a collection for her. It's been a whirlwind of work and excitement", Jen explains. "Being a part of her (Julia's) gang has been an impossible dream since the start. Life is full of incredible surprises!"

Julia worked her magic with Jen's new collection, styling each piece in a room setting which compliments and highlights the artwork. The settings were then photographed by another of our idols, Armelle Habib, who captures them so beautifully.

You can view all of Jen's latest collection here on the Greenhouse Interiors website. I'm sure you'll agree with me, the collaboration between Jen, Julia and Armelle is a winner!